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재고있음 - SKU: GUCLRAM-08711 - Jose Ramirez III

1976 Jose Ramirez "2a" CD/CSAR

년도 1976
삼나무
뒷면 및 측면 CSA Rosewood
스케일 길이 664 mm
너트 폭 54 mm
마감 래커
국가 스페인
상태 훌륭한
Exchange ExchangePlus
Luthier Jose Ramirez III
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$6,000.00

적용 가능한 판매세 및 배송료가 체크아웃 시 추가됩니다.
설명

This guitar was built in the famous Jose Ramirez III workshop, which for over half a century has produced instruments performed on by countless professionals from Sting to Segovia, Chet Atkins to Sabicas and Lee Ritenour to Christopher Parkening.

The "2a" models are pretty much identical to the standard "1a" model in all ways, the Ramirez shop claimed back in the day that the lower price tag was due to either using materials that may have minor aesthetic blemishes, such as small knots, or what in Spain are called "cocas" (darker areas of resin concentration in the grain), or if they were built by an apprentice and not a foreman. However, many decades of discussion has led to the conclusion by players that a great 2a is identical to a great 1a. The tone and workmanship are first-class, and this guitar offers a sound that is on par with the best that the Ramirez workshop has to to offer.

This guitar in particular has an astonishingly beautiful set of CSA rosewood for the back and sides. The tone is thick yet clear, and has that essential warm, mysterious and moody quality that made Ramirez famous. It is in great condition for its age with no cracks and no repairs. The guitar has minimal wear for its age - just a few marks in the finish. Overall, this is an excellent example of a fine mid-70s Ramirez for the active concert player or recording artist.

For more information on Ramirez, be sure to read The Ramirez Family: Masters of the Guitar, or for information on the Ramirez family members, from Amalia Ramirez back to Jose I and for some interesting fact-checking on myths and facts about this legendary workshop.

설명

This guitar was built in the famous Jose Ramirez III workshop, which for over half a century has produced instruments performed on by countless professionals from Sting to Segovia, Chet Atkins to Sabicas and Lee Ritenour to Christopher Parkening.

The "2a" models are pretty much identical to the standard "1a" model in all ways, the Ramirez shop claimed back in the day that the lower price tag was due to either using materials that may have minor aesthetic blemishes, such as small knots, or what in Spain are called "cocas" (darker areas of resin concentration in the grain), or if they were built by an apprentice and not a foreman. However, many decades of discussion has led to the conclusion by players that a great 2a is identical to a great 1a. The tone and workmanship are first-class, and this guitar offers a sound that is on par with the best that the Ramirez workshop has to to offer.

This guitar in particular has an astonishingly beautiful set of CSA rosewood for the back and sides. The tone is thick yet clear, and has that essential warm, mysterious and moody quality that made Ramirez famous. It is in great condition for its age with no cracks and no repairs. The guitar has minimal wear for its age - just a few marks in the finish. Overall, this is an excellent example of a fine mid-70s Ramirez for the active concert player or recording artist.

For more information on Ramirez, be sure to read The Ramirez Family: Masters of the Guitar, or for information on the Ramirez family members, from Amalia Ramirez back to Jose I and for some interesting fact-checking on myths and facts about this legendary workshop.

Feel free to contact us with any questions. It’s what we’re here for!

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